Meri Pyari Bindu
Indeed a very good movie. Heavily inspired from the recent Bengali blockbuster 'Open Tee Bioscope'.
Meri Pyaari Bindu is a nostalgic tribute to the time and attempts a similar love story. Only, Abhimanyu Roy’s (Ayushmann Khuranna) love is not selfless and this is no classic romance. Kumar’s rendition of Meri Pyari Bindu in Padosan (1968) is spoofy in nature and mixes traditional Baul music with elements of the qawwali and the love ballad. RD Burman’s tune is comical but also has a fascinating back story.
Meri Pyari Bindu Full Movie
Looks as if the director took one of the subplots of the Bengali movie and extrapolated it, while diluting certain unique Bengali traits like the 'para' culture, 'football' etc. To make the movie more comprehensible for the national audiences. In spite of adding more North Indian flavor, the movie couldn't become a box-office hit. Well nobody does nostalgia like the Bengalis. It is interesting to note that on an average most Bengali reviewers critic/normal have rated it at least 1 more than avg. I have seen its ratings on all the major forums, they follow this weird trend. Maybe YRF ought to have made the movie in Bengali itself for regional audiences.
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Meri Pyari Bindu Torrent
Also, this is one of those rare Bollywood movies where the music is integral to the plot. Vedas in english free download. There aren't any useless songs and dance. The movie deserves some praise for that. Overall this falls in the 'very good bracket'. For those complaining about the story, let me tell you that cult classics like Andaz Apna Apna didn't have much of a story to speak of as well if one looks closely.
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From that point, scenes of Abhimanyu clickety-clacking on his typewriter alternate with long trips down memory lane as his story takes us way back to 1983, when Bindu moved in next door, a shared penchant for old Hindi songs was discovered, and best-friendship commenced — only for Abhimanyu, so did a lifetime of being completely smitten. The problem is, it’s hard to see why.
Despite flashbacks that follow the duo through school, college, a brief stint as pen pals during time apart, and an eventual reunion as adults, there’s unbelievably little that distinguishes their friendship as special or even solid, let alone grounds for a deep-rooted love (however one-sided). Without a single meaningful or enlightening conversation exchanged between the two until a pivotal moment that comes way too late, the characters seem like strangers not only to the audience, but also to each other. Even their initial bond, over a common love for vintage ballads, quickly becomes a superficial tool to force renditions and references of classic oldies into the plot in hopes to enforce the characters’ otherwise nonexistent connection.
Unfortunately, the strategy has the opposite effect; the golden tunes lose meaning and luster as they turn into a soundtrack for a passionless and substance-deficient relationship that we can’t summon the energy to care enough about. Abhimanyu, for the most part, appears simply enamored by the spontaneous, spunky firecracker that is Bindu, describing her, affectionately and naively, as “trouble.” It’s clear that Roy and screenwriter Suprotim Sengupta are determined to portray her impulsiveness as adorable, irresistible, and admirably full of life. But as we watch her abandon university, casually break off at least two engagements (it doesn’t help that we’re never introduced to her suitors) — and perhaps most aggravatingly — use and dismiss Abhimanyu as she pleases, she comes off as flaky, selfish, and incredibly unlikeable. Meanwhile, Abhimanyu, both devoted and exasperatingly besotted, waits, sometimes coaxes, and constantly hopes that when she finally commits to anything, it’ll be to him. This, in addition to a sluggish plot that hardly builds tension or stakes around Abhimanyu and Bindu’s relationship to make us root for them, drags the film down, watering down any semblance of its purpose as it inches towards a rather underwhelming conclusion.